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Thread: WIP: Watery Pit

  1. #1

    Wip WIP: Watery Pit

    Yup, I'm still working on those cave-like maps.

    This time around I've converted the cave map into a lake in the forest.

    Click image for larger version. 

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    With this version I wanted to experiment with differential layers in the water - hoping to create the illusion of deeper and deeper water. The idea is that in this lake, hidden deep in the forest, is some big critter that needs those deep pools to live.

    But this then created the question - where do add the graph lines.
    Click image for larger version. 

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    Do you put the lines everywhere on the entire grid?

    Click image for larger version. 

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    Or do you put it only on land...

    Thoughts?

    -GP

    EDIT: It helps to keep the pics in the right order.
    Last edited by Green-Pilgrim; 08-28-2013 at 07:33 PM.

  2. #2
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    I place my grid over anything flat, myself (so ground/floor/water), but under walls/symbols
    "We all take our risks, down here in the dungeon." --Bargle

  3. #3
    Guild Artisan Neyjour's Avatar
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    Very nice start so far. I like the shape of your cave-lake.

    I agree with Xorne about the grid placement. Some people drop a grid down over their entire map, but I like to put mine only over anything that is low to the ground and can actually be walked on. Everything else goes above the grid, if possible. Also, things like fallen logs, large rocks/boulders, etc., can be walked/climbed on, but I usually put them above the grid as well, just because I think it looks better that way.

    For water, what I've found I like to do is make the grid look slightly different in colour and much more subtler than the land/ground grid, usually by changing the layer mode and lowering the opacity, just enough that it's still visible for gameplay (if the characters are wanting to go swimming/wading or whatever) but not as strong/noticeable as the land/ground grid.

    Are your water depth colours on separate layers? If so, try blurring them (I use Gaussian Blur) so they blend together with each other more naturally, rather than having a hard line between each one. You can also play with the layer opacity if you want to tweak them lighter/darker. What I do is paint my water depth layers with a black round brush (over my base water texture), change the layer mode to Luminance Legacy, apply a Gaussian Blur, and then start playing with the opacity of each one until I have a natural-looking, seamless transition between them all.

    One other suggestion: maybe expand the area around your lake just a little bit (on the left, right, and top sides), so that there's not only room for the characters to walk around the perimeter of the lake, but also some extra room to add trees, bushes, logs, rocks, etc. Doesn't have to be a lot...just enough for a natural "frame" of sorts. Unless the lake is supposed to be in an empty, grassy area...in which case, nevermind! It's just that I did something similar with one of my maze maps, and thought that type of thing would like nice around your lake as well.

  4. #4
    Guild Adept atpollard's Avatar
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    I would remove the grid from the 'solid rock' around the cave, but cover the water and land inside the cave.
    I would also make the grid as light as I could to minimize the distraction from the rest of the map ... personally, I would create a white grid and set the opacity at 0% and gradually increase the opacity until the grid is just visible enough to be used ... typically around 5% to 20% opacity depending on the color of the map below it.

    If possible, it might be nice if the white shimmer of the water covered both the light and dark areas of water so it looks more like ripples over deep water and less like a hole in the water. One way to do that might be to set up and blend your water color layers to create depth (without the white ripple water texture) and then overlay all of the water area with the water/ripple texture set to some percentage of transparency. This is a trial and error thing to find what looks good.

    Good luck.

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