Sorry, I guess I should have made it clearer as to what I meant about the shadow of the car. I agree about the angle (as in the light coming from the top left), but the height of the light source in the window is high in the sky, where as the light source for the car seems to a lot closer to street level. I also get where you are coming from with the long shadows, but I wanted to make you aware in case you weren't. It is often the subtle irregularities in a scene that create the best psycho thriller stuff in my mind..."something just doesn't feel right about this, but I don't know why.." sort of thing. So well done so far.