Mapping cliches

[Ghostman]

Graphically, the mountains, forests and villages have a very marked way of being done.

Those elements are not just decoration, they serve a function and thus should be easily recognizable. Conforming to well established conventions makes recognition of the map symbols much faster and more certain, so it is no wonder that many maps follow such conventions. That should not be considered cliche.

[NedS298]

I completely agree with Ghostman

[jbgibson]

There's a reason what we do is (often) termed a "setting". It's because a novel (ha: etymology: novel=new thing :-) ) has to have some elements that *aren't* new , so the reader can relate to the fantasy/ unique/ new elements. A jewel in a ring will often have very plain prongs holding it. It's always seemed nuts to me for a complicated painting to have a gold, decorated, complex, heavy frame. I understand the impulse - "this is an important, rare, beautiful thing, therefore I have to provide it with a fancy, beautiful, place to rest." The Japanese with their torii shrines make sense - enough of a frame to point out a beautiful view, without needing scads of attention drawn to itself.

So the elements of *particularly* a fantasy map become a shorthand to convey an impression, to create a mood, without having to tiresomely build a detailed backstory. Same as the 'standard' tropes of a fantasy story/movie/play -- shorthand. I'll steal from an earthly language in naming places specifically to invoke a central European or oriental or arctic or south seas island mood. True, I'll sometimes then skewer that mood with intentionally jarring countermelodies - the Tong gangster behavior in African garb and manners. The bronze armor in outer space. The steampunk mechanics in dinosaur society. But on purpose, and in moderation :-).

I am all for intentional inaccuracy in fantasy maps to restrict the in-story reader to what info he likely "should" have, as well as to simulate the overdetailing of unknown spaces - from 'here be dragons' to arbitrarily wiggly rivers to Atlantis and Mu just over the horizon. And I will cheerfully hide my River Police badge if someone is obviously mimicking things like the Blaeu China map :-).

My favorite (anti-favorite?) map cliche extends to the world being depicted -- when a certain society is sketched without enough infrastructure to sustain it. The alien planets in TV shows with a single village housing human-ish folks, having wrought iron implements with no mines or smelters, board-built houses with no sawmills, fancy textiles with no flax ,cotton, or silkworms growing.

The 'semi European' kingdom with a couple of scattered cities, a handful of villages, and none of those same mines, mills, farming, or craft-trading. Granted, hamlets and villages can fall off a regional map for simplification - still, an author or cartographer obviously sometimes INTENDS there be zero habitation between point a and b, where a 'proper' logical feudal-heritage European-ish society would have scads of peasants, serfs, freeholders, and general commerce going on.

Cities with no hinterlands, no umbra, no suburbs.

But if the story's good or the map is pretty, I'll suspend disbelief and forgive :-)

[NedS298]

I think part of it has to do with the assumption that, unless something is specified from the outset to be different to reality, then it's the same as our world.

[jtougas]

I think "cliche" might be the wrong word. For me cartography came from the early RPG's where the cities (for the most part) were European at their roots and magic was just a fact of life. I am probably the most guilty of "naming things for where or what or why they are" Names like "Riverhewn" named for the island that was formed by two rivers. "Southrun" because quite simply it is South of "Northrun" I also think that a good of deal of what we depict is tradition. We all have been inspired by what has gone before and the vast majority of 'Fantasy" is forests and dungeons and magic. It is also towns called "Greyhawk" and "Waterdeep" I for one enjoy the "cliches" of Fantasy and Fantasy mapping.

[NedS298]

I think most of us would agree. I, for one, enjoy the various cliches; however, on this thread, we're simply identifying cliches, not criticising their use.

[Tomalak]

While it's super common, and entirely reasonable in a hobbyist's work, I have a pet peeve that really bugs me in professional fiction.

Flat maps with cookie-cutter elevation. I am as guilty as the next guy, but geographically that makes no sense! Elevation and slope are distinct concepts, mountains have vegetation on one side, and rivers hardly ever travel through flat terrain. If the land is really flat, it's probably a marsh. And that's another thing: homogenous wetland. Is it a tree-filled swamp, or a reedy marsh, or what? Usually it's undefined 'swamp,' and when it IS defined, it's wrong.

Tl:dr - terrain that doesn't make geographic sense, but instead looks like it was distributed randomly for aesthetic purposes.

[Damage_Inc89]

While it's super common, and entirely reasonable in a hobbyist's work, I have a pet peeve that really bugs me in professional fiction.

Flat maps with cookie-cutter elevation. I am as guilty as the next guy, but geographically that makes no sense! Elevation and slope are distinct concepts, mountains have vegetation on one side, and rivers hardly ever travel through flat terrain. If the land is really flat, it's probably a marsh. And that's another thing: homogenous wetland. Is it a tree-filled swamp, or a reedy marsh, or what? Usually it's undefined 'swamp,' and when it IS defined, it's wrong.

Tl:dr - terrain that doesn't make geographic sense, but instead looks like it was distributed randomly for aesthetic purposes.

That's an excellent point. It'd be really easy to fall into wanting to distribute different things around a map, especially trying to include too many climate regions or geographical features in one single map.

The details about how vegetation grows on mountains and all the other geographical stuff is something I'd have never considered.

[NedS298]

I'm a real culprit of trying to put too many climates together... I guess it is a cliche, because it is recurrent and annoying.

[Trismegistus]

My Asdar world map is global and thus enables me to incorporate all the climates. I have based the 'climate' bands on real world climates (tundra, boreal, alpine/steppe, temperate/atlantic, mediterranean, desert, savannah, semi-tropical, tropical). It's much more realistic and plausible. Even if I don't have the latitudes exactly right, it's close enough for a verisimilitude of the real world. The disadvantage is that characters in the world have to travel relatively far to reach another climate in many instances. The advantages of the small, theme park-like setting with many climates enables more changing play or stories in a smaller setting.

Of course, in the real world, it is possible to have dramatic changes, but they're usually on the border of a great expanse of climate. It is possible to go from the Andes Mountains down into the Amazon Jungle Basin or from the Plateau of Tibet down into the Takla Makan desert, although that is probably a much longer journey. In north Africa, you could go from green zones in the Atlas Mountains down into the Sahara Desert. In the middle east, you can go from the Negev Desert which looks like parts of Arizona into the Judean Hills which look like San Diego.

This is the PDF of my world map. It's over 10 mbs in size.